Friday, December 10, 2010
PUNK ROCK PRINTING MOSH PARTY
Monday, December 6, 2010
Thursday, December 2, 2010
MASTER OF LIGHT GOING THROUGH A DARK PERIOD.
Value of Thomas Kinkade Prints
Kinkade Prints
Warning
Tuesday, November 30, 2010
Oil and Water Don't Mix
Homemade Press
Sunday, November 28, 2010
Do you feel lucky? PUNK!
So why Dirty Harry. Because it's time again to GET DIRTY, and GET PUNKED for this years:
Thursday, December 9th starting at 6:30 pm. Bring T-shirts, fabrics and print paper to print on for both your own design and those of other artists. Costumes encouraged!
Please bring a potluck item, I"ll order us some pizza's.
Friends and family are welcome.
How playing cards were printed in the 15th century
Woodcut Printing 1450-1520
Annie Bissett
Annie Bissett is one of the artists we looked at when we visited the Jundt. She does a lot of moku hanga prints.
Click here to learn more and see the process.
Sunday, November 14, 2010
Peter Callesen
"Transparent God", 2009, cut paper
Lately I have worked almost exclusively with white paper in different objects, paper cuts, installations and performances. A large part of my work is made from A4 sheets of paper. It is probably the most common and consumed media used for carrying information today. This is why we rarely notice the actual materiality of the A4 paper. By taking away all the information and starting from scratch using the blank white A4 paper sheet for my creations, I feel I have found a material that we are all able to relate to, and at the same time the A4 paper sheet is neutral and open to fill with different meaning. The thin white paper gives the paper sculptures a frailty that underlines the tragic and romantic theme of my works.
The paper cut sculptures explore the probable and magical transformation of the flat sheet of paper into figures that expand into the space surrounding them. The negative and absent 2 dimensional space left by the cut, points out the contrast to the 3 dimensional reality it creates, even though the figures still stick to their origin without the possibility of escaping. In that sense there is also an aspect of something tragic in many of the cuts.
Friday, November 5, 2010
2010 Steamroller Print Project
Claire Emery; Visiting Artist
Jean Gumpper
Chipita Park's, Jean Gumpper has said her own artistic work is an effort to "let the landscape act as a visual metaphor for emotions and experiences." Ms. Gumpper's exquisite woodcut prints create an evocative, semi-abstract view of woodland foliage and waterside plant life with close-up images with reflective light and still waters. Some of her prints, in their spatial relationships and attention to nature, honor Asian painting and woodcuts.
Click here for more.